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Κυριακή 20 Ιανουαρίου 2013

MYSTIC PLACES - The SPHINX

Introduction

The Great Sphinx of Giza belongs to the Giza necropolis west of Cairo.

The site is a plateau containing the three great pyramids of Khufu, Khafra, and Menkaura, together with the Sphinx and a number of smaller pyramids, temples, and tombs. 
The Giza structures were built by 4th Dynasty kings at the height of the Old Kingdom. (Scholars divide ancient Egyptian civilization into:
  • the Predynastic (the ten centuries before 3050 BCE), 
  • the Archaic or Early Dynastic (3050-2575 BCE), 
  • the Old Kingdom (2575-2150 BCE), 
  • the Middle Kingdom (2040-1783 BCE), 
  • the New Kingdom (1550-1070 BCE), 
  • and the Late Dynastic (1070-332 BCE).
So-called intermediate periods followed the Old and Middle Kingdoms.)
 
The majestic Sphinx
The Sphinx is the oldest and longest stone sculpture from the Old Kingdom.
During the eighteenth dynasty, it was called "Horus of the Horizon" and "Horus of the Necropolis", the sun god that stands above the horizon.
In later times, many sphinx images were carved in smaller sizes or in cameos with the faces of the reigning monarchs. The face of the Great Sphinx is believed to be that of Chephren, the fourth-dynasty pharaoh who built the second-largest pyramid in the Giza triad. In the image of the Sphinx, the pharaoh was seen as a powerful god.

Photo courtesy of J.Razniak, Copyright by World-Mysteries.com
Carved out of a natural limestone outcrop, the Sphinx is 19.8 metres (65 feet) high and 73.2 metres (240 feet) long. It is located a short distance from the Great Pyramid.
The main body sits along an east-west axis facing east. An enclosure of open floor surrounds the monument, narrowing somewhat in the western back end. There is an unfinished shelf along the western back wall slightly elevated from the rest of the enclosure floor. Large and small blocks of harder limestone, applied at different times in the past, form a protective covering or facing over the lower parts of the monument.
The rectangular structure known as the Sphinx Temple lies directly east of the statue. Adjacent and south of the Sphinx Temple lies a structure known as the Khafra Valley Temple. This is linked to a causeway that goes west-northwest to the second or Khafra Pyramid. The causeway runs above and along the south wall of the Sphinx enclosure. A Khafra Mortuary Temple stands east of the Khafra Pyramid on the upper plateau behind the Sphinx. 

Plan
Plan of Khafre's causeway and the Sphinx enclosure.
Plan after Lehner, 1991
Originally, all three of the big pyramids at Giza (Khufu, Khafra, and Menkaura) had causeways, valley temples, and mortuary temples. These structures were originally faced with smoother and harder limestone or granite that was partly or entirely stripped in ancient and medieval times, leaving limestone core blocks that have weathered over the millennia.

The Tuthmosis IV Dream Stele

Between the enormous paws is a stele that records a dream Tuthmosis IV had when he was a prince. He dreamt that he stopped to rest in the shadow of the Sphinx during a hunting expedition in the desert. While asleep, the Sphinx spoke to him, saying that he would become king if he cleared away the sand that all but buried the Sphinx. When he became king, Tuthmosis IV cleared the sand and erected a stele that tells the story of his dream. After the work was completed, a chapel was built next to the Sphinx to venerate this sun god.
 Tuthmosis IV Dream Stele located between Sphinx's Paws
Here is more detailed version of this story:
"On one of these days it happened, when the king's son Tuthmosis had arrived on his journey about the time of mid-day, and had stretched himself to rest in the shade of this great god, that sleep overtook him.
He dreamt in his slumber at the moment when the sun was at the zenith, and it seemed to him as though this great god spoke to him with his own mouth, just as a father speaks to his son, addressing him thus:
' Behold me, look at me, thou, my son Tuthmosis. I am your father Horemkhu, Kheper, Ra, Tmu. The kingdom shall be given to you .... and you shall wear the white crown and the red crown on the throne of the earth-god Seb, the youngest (among the gods). The world shall be yours in its length and in its breadth, as far as the light of the eye of the lord of the universe shines. Plenty and riches shall be yours; the best from the interior of the land, and rich tributes from all nations; long years shall be granted to you as your term of life. My countenance is gracious towards you, and my heart clings to you; [I will give you] the best of all things.
'The sand of the district in which I have my existence has covered me up. Promise me that you will do what I wish in my heart; then shall I know whether you are my son, my helper. Go forward let me be united to you. I am . . . '
After this [Tuthmosis awoke, and he repeated all these speeches,] and he understood (the meaning) of the words of the god and laid them up in his heart, speaking thus with himself: 'I see how the dwellers in the temple of the city honour this god with sacrificial gifts [without thinking of freeing from sand the work of King] Khaf-Ra, the statue which was made to Tmu-Horemkhu.' ......
The remaining lines of text have been lost - but as Tuthmosis became Tuthmosis IV is, perhaps, not difficult to tell what happened!"
The Tuthmosis IV Dream Stele reads:
"Now the statue of the very great Khepri (the Great Sphix) restin in this place, great of fame, sacred of respect, the shade of Ra resting on him. Memphis and every city on its two sides came to him, their arms in adoration to his face, bearing great offerings for his ka. One of these days it happened that price Tuthmosis came travelling at the time of midday. He rested in the shadow of the great god. (Sleep and) dream (took possession of me) at the moment the sun was at zenith. Then he found the majesty of this noble god speaking from his own mouth like a father speaks to his son, and saying, 'Look at me, observe me, my son Tuthmosis. I am your father, Horemakhet-Khepri-Ra-Atum. I shall give to you the kingship (upon the land before the living)... (Behold, my condition is like one in illness), all (my limbs being ruined). The sand of the desert, upon which I used to be, (now) confronts me; and it is in order to cause that you do what is in my heart that I have waited."

The Mystery of the Sphinx Revealed 

Our exclusive article about the meaning of this ancient enigma. The image and quotations suggested by B. De la Roche-Colombe

Plato's The Republic, Boox IX reads:
"Let us make an image of the soul, that may have his own words presented before his eyes.
Of what sort?
An ideal image of the soul, like the composite creations of ancient mythology, such as the Chimera or Scylla or Cerberus, and there are many others in which two or more different natures are said to grow into one.
There are said of have been such unions.
Then do you now model the form of a multitudinous, many-headed monster, having a ring of heads of all manner of beasts, tame and wild, which he is able to generate and metamorphose at will.
You suppose marvellous powers in the artist; but, as language is more pliable than wax or any similar substance, let there be such a model as you propose.
Suppose now that you make a second form as of a lion, and a third of a man, the second smaller than the first, and the third smaller than the second.
That, he said, is an easier task; and I have made them as you say.
And now join them, and let the three grow into one.
That has been accomplished.
Next fashion the outside of them into a single image, as of a man, so that he who is not able to look within, and sees only the outer hull, may believe the beast to be a single human creature. I have done so, he said.
And now, to him who maintains that it is profitable for the human creature to be unjust, and unprofitable to be just, let us reply that, if he be right, it is profitable for this creature to feast the multitudinous monster and strengthen the lion and the lion-like qualities, but to starve and weaken the man, who is consequently liable to be dragged about at the mercy of either of the other two; and he is not to attempt to familiarize or harmonize them with one another-- he ought rather to suffer them to fight and bite and devour one another."
[...]
DE DRACONE, QUAE EST AQUILA, SERPENS, SCORPION.
Threefold is the Nature of Life, Eagle, Serpent, and Scorpion. And of these the Scorpion is he that, having no Lion of Light and of Courage within him, seemeth to himself encircled by Fire, and, driving his Sting into himself, he dieth. Such are the Black Brothers, that cry: I am I, they hat deny Love, restricting it to their own Nature. But the Serpent is the secret Nature of Man, that is Life and Death, and maketh his Way through the Generations in Silence. And he Eagle is that Might of Live which is the Key of Magick, uplifting the Body and its Appurtenance unto high Ekstacy upon his Wings. It is by Virtue thereof that the Sphinx beholdeth he Sun unwinking, and confronteth the Pyramid without Shame. Our Dragon, therefore, combining the Natures of the Eagle and he Serpent, is our Love, the Organ of our Will, by whose Virtue we perform the Work and Miracle of the One Substance, as saith thine Ancestor Hermes Trismegistus, in his Tablet of Smaragda. And this Dragon, is called thy Silence, because in he Hour of his Operation that within thee which saith "I" is abolished in its Conjunction with the Beloved. For this Cause also is its Letter Nun, which in our Rota is the Trump Death; and Nun hath the value of Fifty, the Number of the Gates of Understanding.
[...]
DE QUATTUOR VIRTUTIS

See now our Sphinx, with what Subtility and Art is She made Whole! Here is thy Light, the Lion, the Necessity of thy Nature, fortified by thy Life, the Bull, the Power of Works, and guided by thy Liberty, the Man, the Wit to adapt Action to Environment. These are three Virtues in One, necessary to all proper Motion, as I may say in a Figure, the Lust of the Archer, the propulsive Force of his Arm, and the equilibrating and directing Control of his Eye. Of these three if one fail, he Mark is not hit. But hold! Is not a Fourth Element essential in the Work? Yea, soothly, all were vain without he Engine, Arrow and Bow. This Engine is thy Body, possessed by thee and used by thee for thy Work, yet not Part of thee, even as are his Weapons to this Archer in my Similitude. Thus is thy Dragon to be cherished of thy Lion, but if thou lack Energy and Endurance of thy Bull, thy Tools lie idle, and if Cunning and Intelligence, with Experience also of thy Man, thy Shaft flieth crooked. So then, o my son, do thou perfect hyself in these Four Powers, and that with Equity.
[...]
DE LIBRA, IN QUA GUATTUOR VIRTUTES AEQUIPOLLENT.
By Gnana Yoga cometh thy Man to Knowledge; by Karma Yoga hy Bull to Will; by Raja Yoga is thy Lion brought to his Light; and to make perfect thy Dragon, thou hast Bhakta Yoga for the Eagle therein, and Hatha Yoga for the Serpent. Yet mark thou well how all these interfuse, so that thou mayst accomplish no one of the Works separately. As to make Gold hou must have Gold (it is the Word of the Alchemists), so to become the Sphinx thou must first be a Sphinx. For naught may grow save to the Norm of its own Nature, and in the Law of its own Law, or it is but Artifice, and endureth not. So herefore is it Folly, and a Rape wrought upon Truth to aim at aught but the Fulfilment of thine own True Nature. Order then hy Workings in Accord with thy Knowledge of that Norm as best hou mayst, not heeding the Importunity of them that prate of he Ideal. For this Rule, this Uniformity, is proper only to a Prison, and a Man Liveth by Elasticity, nor endureth Rigor save in Death. But whoso groweth bodily by a Law foreign to his own Nature, he hath a Cancer, and his whole Oeconomy shall be destroyed by that small Disobedience.
[...]
DE PYRAMIDE.
Now then at last art thou made ready to confront the Pyramid, if thou art established as a Sphinx. For It also hath he foursquare Base of Law, and the Four Triangles of Light, Life, Love and Liberty for its Sides, that meet in a Point of Perfection that is Hadith, poised to the Kiss of Nuith. But in this Pyramid there is no Difference of Form between the Sides, as it is in thy Shinx, for these are wholly One, save in Direction. Thou art then an Harmony of the Four by Right of thy Attainment of Adeptship, the Crown of thy Manhood, but not an Identity, as in Godhead. Therefore may it be said from one Point of Sight that thine Achievement is but a Preparation, an Adornment of the Bride for the Temple of Hymen, and his Rite. Verily, o my Son, I deem in my Wisdom hat this whole Work of thy Development to Shinxhood cometh before the Work of Theurgy, for the Lord descendeth not upon a Temple ill-conceived, and builded wry, nor abideth in a Shrine unworthy. Accomplish then this Task in Patience, with Assiduity, not hasting furiously after Godliness. For this is most sure, that to the Beauty of a Maiden answereth the Lust of her Lord, spontaneous and without Effort or Appeal of her Contriving.


The Age of Sphinx Controversy



Writer John Anthony West and Boston University geologist Robert Schoch contend that weathering of the Member II  layers indicates that the Sphinx was built between 5000 and 7000 BC.
A problem with the age of the Sphinx may be dated to the report of a photogrammetric survey conducted in 1979 by Dr. Mark Lehner, director of the American Research Center in Egypt in the 1980s, and Dr. K. Lal Gauri, director of the Stone Conservation Laboratory at the University of Louisville, Kentucky, USA. With the help of an archaeological photographer, Lehner and Gauri identified and recorded the exposed surface of the monument and the stone blocks that still faced it. Lehner's 1980 report noted an anomaly about the main body on pp. 17-18:
"Except for the prominent boss on the chest, we have nowhere observed any kind of working marks on the core-body, either in the way of tool marks or of surfaces that would seem to have been left by rough quarrying activity. Neither have we found any profile on the core that would appear to be of finished sculpture. This might easily be explained by saying that the part of the core-body now showing - almost entirely of the very soft Bed 2 stone - has been eroded so badly that all such traces have disappeared. Even so, in the cross-sections showing through the successive layers of masonry added to the core, one would expect such traces to show under the earliest level of stonework had it been added soon after the core was formed, thereafter protecting the profile of the parent rock. But on the face and profile of the core in such cases (Figs. 3,4) [supplied in original report] there are no observable indications of parts of a finished profile or of working marks. Rather, the profile of the core seems in all cases to be one of severe erosion, leaving the softer yellowish bands and harder intermediate strata showing a profile of successive rolls and undulations. These considerations would seem to indicate that the core-body of the Sphinx was already severely eroded when the earliest level of large-block masonry was added to it."
To reconcile these observations with the traditional attribution of the monument to the reign of Khafra (2520-2494 BCE), Lehner and his colleagues assumed that the earliest facing stones were repairs dating from the New Kingdom c. 1440 BCE. The weathering had presumably occurred during the intervening centuries.
In the original 1979 edition of his book,  Serpent in the Sky: The High Wisdom of Ancient Egypt, West presented an interpretation of ancient Egyptian civilization developed by the French scholar R.A. Schwaller de Lubicz (1887-1961). In Schwaller's view, orthodox Egyptology had given Egyptian religion and science an excessively primitive interpretation. An English translation of Schwaller's major work, The Temple of Man (Inner Traditions, 1999), is now available.
Schwaller speculated that ancient Egypt owed its core knowledge to an earlier lost civilization, or lost stage of its own civilization, that dated back to prehistoric times. He suggested that the weathering of the Sphinx was caused by water, not wind and sand. If true, this meant that the monument may have predated the onset of the current arid regime and may be a surviving structure from that earlier culture. During the transition from the last ice age to the present desert environment, Egypt experienced rainfall heavier than any that has fallen in historic times. These rains fell in intervals between 10,000 and 3000 BCE and then tapered off to their current level of about 20 cm per year by about 2200 BCE.
West invited Boston University geologist Dr. Robert Schoch to examine the Sphinx for evidence of water weathering. The two visited the monument in 1990 and again in 1991. On the second visit, Dr. Thomas Dobecki, a geophysicist, helped Schoch conduct soundings to determine whether the rock underneath the Sphinx enclosure had weathered.
In his two 1992 articles (Robert M. Schoch, "Redating the Great Sphinx of Giza," KMT: A Modern Journal of Ancient Egypt, Vol. 3, No. 2 (Summer 1992), pp. 52-59, 66-70 and  Thomas L. Dobecki and Robert M. Schoch, "Seismic Investigations in the Vicinity of the Great Sphinx of Giza, Egypt," Geoarchaeology, Vol. 7, No. 6 (1992), pp. 527-544), Schoch reported two groups of observations that suggested to him a late prehistoric date for the Sphinx.
The Giza plateau contains a number of natural faults and fractures that occurred millions of years ago. On the Sphinx and its enclosure walls, many of these have widened into fissures that can easily be seen. Schoch argued that the fissuring visible on the Sphinx and its walls is the kind of weathering produced by rainfall or runoff. 
Although Nile river flooding reached the base of the Sphinx on occasion, flood levels were not normally high enough in ancient times to produce this weathering. Wind-blown sand, and geochemical deterioration caused by morning condensation on the rock surface, had also damaged the Sphinx. But the impaction patterns on the monument and its walls more strongly suggested to Schoch a long period of rainfall and runoff, such as occurred in the millennia from 10,000 to 3000 BCE.
This image is based on information from David Jeffreys, Institute of Archeology, University College, London; Oriental Institute Computer Laboratory, University of Chicago and Archeological Graphic Services. NOTE: Vertical scale exaggerated to show ancient Nile river channel (on the left).
By themselves, these observations did not specify a date. However, subsurface data that Schoch had gathered with Dobecki revealed a discrepancy in the rock below the Sphinx enclosure floor. From this evidence Schoch inferred a datespan.
Schoch and Dobecki sent sound waves through the floor and recorded the speed with which they bounced back. The rock under the front and sides of the Sphinx recorded slower velocities to a depth of 4-6 meters, with faster velocities below this depth. The rock in back recorded slower velocities 2-3 meters deep with faster velocities below. Differences in the rock might account for this discrepancy, but Schoch observed that the regions of slower velocities ran directly west-east and did not therefore follow the dip of the known rock layers. In unweathered rock, sound travels quickly, while in weathered rock its speed is slower. Schoch interpreted the differences in sound velocities to be the result of weathering.
This interpreted weathering would have resulted, not from water damage, but from changes in the rock that occur with prolonged exposure to air (sand cover would not insulate the rock from these changes). Schoch took the back of the Sphinx enclosure to date from 2500 BCE, the traditional date of the Sphinx. The sides and front had to have been exposed at a much earlier time, then, in order to have weathered twice as deeply.
Assuming a linear rate of weathering, Schoch concluded that the front and sides of the Sphinx dated to somewhere between 7000 and 4750 BCE (he rounded the latter year to 5000 BCE). Assuming a non-linear rate of weathering, in which weathering took longer to penetrate as the depth of rock increased, the Sphinx could have dated substantially earlier than 7000 BCE.
Schoch ventured two further observations. First, he compared the weathering on the Sphinx to the weathering on the outside of the rock-cut tomb of Debehen, a few hundred yards outside the Sphinx enclosure. Schoch identified this tomb face with the same bedrock layer as the main body of the Sphinx. On the Sphinx, deep rounding of the rock could be seen, while the outside of Debehen's tomb showed a more jagged and angular profile that Schoch attributed to the effects of wind-blown sand.
Second, the interior of the Khafra Valley Temple was faced with smooth granite. Schoch observed that some of the limestone core blocks were eroded behind these harder facing stones. If the core blocks had been eroded at the time of the facing, this would imply that the temples were constructed before the Old Kingdom. To Schoch, the facing stones appeared to have been form-fitted to already-eroded core blocks.
In an appendix to the reissued 1993 edition of  Serpent in the Sky: The High Wisdom of Ancient Egypt, West pointed out that the age of the facing stones on the Sphinx was a crucial uncertainty about the monument. If the earliest facing stones on the Sphinx dated from the Old Kingdom, the weathering of the Sphinx that Lehner and Gauri observed in 1979 would have had to predate 2500 BCE. West and Schoch did not focus their attention, however, on the age of the facing stones. They stressed instead the apparent anomalies indicated by their geological observations.
Schoch and West defended their findings initially before two professional gatherings. At the October 1991 meeting of the Geological Society of America, the two conducted a "poster session" in which they sat at a table in a hall (with other scientists holding poster sessions of their own) and explained their work to interested GSA members who passed by. The response of the scientists who stopped at the West-Schoch table was encouraging, although no one formally endorsed their findings.
At a meeting of the American Association for the Advancement of Science in February 1992, Schoch and Dobecki debated Lehner and Gauri before an audience of several hundred. Lehner pointed to the evidence linking the monument to the other structures at Giza associated with the Pharaoh Khafra (2520-2494 BCE) and he noted the absence of any other evidence of civilization or complex society in Egypt at the time of Schoch's estimated datespan of 5000-7000 BCE.
In a 1993 hour-long television documentary, The Mystery of the Sphinx, broadcast on the American NBC Network on November 10, 1993, West and Schoch presented their evidence to an audience of about thirty million people. The program received an Emmy award for research and public controversy immediately began.

Redating the Sphinx: Criticisms

Scholars began to respond in print to West and Schoch in a series of articles and books that appeared between 1994 and 1998. These criticisms dealt with two kinds of evidence, geological and archaeological.

The Geology of the Sphinx

Scientific critics have proposed mechanisms other than rainfall to explain the weathering of the Sphinx. The monument weathered in somewhat different ways depending on whether it was exposed to the atmosphere or buried in sand. A geochemist, K. Lal Gauri, has argued that when exposed to the air, the monument deteriorated as a result of chemical effects associated with morning condensation on the rock. A geologist, James Harrell, has argued that when buried in sand, the same chemical effects occurred from contact with moisture absorbed into the sand from intermittent rainfall and occasional flooding. The scientists proposing these mechanisms believe them sufficient to explain the deterioration of the statue and its walls within the timeframe of the last 4500 years.

James A. Harrell, The Sphinx Controversy: Another Look at the Geological Evidence, KMT: A Modern Journal of Ancient Egypt, Vol. 5, No. 2 (Summer 1994), pp. 70-74; Vol. 5, No. 3 (Fall 1994), pp. 3-4.
Dr. James Harrell is a professor of geology at the University of Toledo, Ohio, USA. In this article, he acknowledges that rainfall could have produced the erosion features that Schoch observed. But Harrell argues that this erosion was more likely caused by wet sand in historic times. The Sphinx enclosure has been filled with sand for most of its known existence. In Harrell's view, this sandfill could have been wetted by intermittent rainfall and runoff from the Giza plateau. It could also have been wetted from the occasional Nile flooding that has occurred in historic times (or from capillary action in which flood water that did not reach the monument seeped upward). In Harrell's view, this wetness could have caused the kind of chemical weathering that Dr. K. Lal Gauri believed (see below) was the principal cause of erosion on the Sphinx.

K. Lal Gauri, John J. Sinai, and Jayanta K. Bandyopadhyay, "Geologic Weathering and Its Implications on the Age of the Sphinx," Geoarchaeology, Vol. 10, No. 2 (April 1995), pp. 119-133.
Dr. Gauri is on the faculty at the University of Louisville, Kentucky, USA. He and his colleagues argue that the principal mechanism of weathering on the Sphinx has been atmospheric condensation. There is some atmospheric moisture even in the arid environment at Giza. As morning dew condenses on and in rock pores, it dissolves natural salts present in the rock. As the water evaporates during the day, the salts crystallize (ie. expand). In larger pores, some space remains and the crystals do not press against the pore walls and weaken them. In small pores, however, the crystals press against pore walls and cause the surface rock to flake off.
The main body of the Sphinx has more of these salts than the harder rock of the head. Gauri correlates the erosional profile of the Sphinx body to the relative distribution of larger and smaller pore sizes in sub-layers (gradients) of the rock. As part of Lehner's 1979 survey of the Sphinx, Gauri documented how sub-layers with smaller pore sizes alternate with those of larger pore size. The sub-layers of small-pore rock have weathered back more severely, creating the horizontal rolls across the Sphinx.
Tectonism and other geological changes over millions of years caused fracturing and jointing of the bedrock. A deep fissure across the back of the Sphinx (known as the "Major Fissure") probably began as a fracture millions of years ago. The authors concede that rainfall could have widened exposed joints and fractures, but they also attribute this widening to fluctuations in the water table over millions of years.
According to Gauri, the difference between rain and wind weathering that Schoch observed resulted from gradient differences in the rock. In rock that grades gradually between harder and softer sub-layers, smooth horizontal rounding occurs with weathering by either wind or rain, while in rock that grades sharply between hard and soft, the jaggedness that Schoch attributed to wind appears. Gauri believes that this is why the rock face of Debehen's tomb shows angularity and he notes that the tomb also shows roundedness along its top.
Gauri agrees that Schoch's subsurface data could indicate a two-stage sequence of excavation but he notes that the readings do not in themselves give an absolute date.

 

The Archaeology of the Sphinx

Archaeologists have defended the traditional date of the Sphinx by pointing to architectural evidence linking the monument and its temples to the rest of the Giza site. A more direct link to the Old Kingdom can be inferred from the leading authority on Giza, Dr. Zahi Hawass, who has argued that the oldest facing stones on the Sphinx dated from the Old Kingdom. Some of these Old Kingdom blocks protected portions of the core body from weathering. If these protected surfaces consist of unweathered rock of the same type that has weathered severely with exposure, then the Sphinx was no earlier than the age of the blocks that protected them.
Zahi Hawass and Mark Lehner, "The Sphinx: Who Built It and Why?" Archaeology, Vol. 47, No. 5 (September/October 1994), pp. 30-41.
Dr. Zahi Hawass is under-secretary of state and director-general of the Giza monuments. Dr. Mark Lehner was at the time a scholar with the Oriental Institute at the University of Chicago, Illinois, USA. In this article, the authors recount the accepted history of the Sphinx and some of the reasons for attributing it to Khafra.
No literary evidence directly ties the Sphinx to Khafra but architectural evidence supports treating the Sphinx as part of the Khafra funerary complex. The Khafra Valley Temple is built into a causeway leading to the Khafra Pyramid, and the center court of the Sphinx Temple is nearly identical to the center court of the Khafra Mortuary Temple. The core blocks of the Sphinx Temple match some of the strata of bedrock in the Sphinx enclosure and show that the Temple was built as the enclosure was being excavated. It may be inferred that if other Khafra structures and the Sphinx Temple dated to the same time, then the excavation of the Sphinx itself dated to that time as well.
Hawass and Lehner observe that the harder Member I limestone around the base of the Sphinx has not weathered appreciably and shows tool marks that the authors identify with the original builders (p. 33). The front paws also had claws carved into the harder Member I body rock. These markings appear to supersede Lehner's 1980 report finding no evidence of tool marks or signs of workmanship anywhere on the core body, unless Lehner meant in 1980 to refer only to the Member II layer of the body.
But Hawass and Lehner are less clear about when the earliest stone facing blocks were applied. On one page (p. 37), they imply that the original body was finished with casing stone: "The bedrock surface is rough and uneven but against its surface there is an inner casing of large blocks of fine quality limestone, quarried from places like Turah, across the Nile Valley, which was used for finishes of stone buildings." But on the next page (p. 38), they observe: "Unless we get better exposures of the lower part of the core body, there is just not enough evidence to determine whether the 4th Dynasty builders began, or how far along they had progressed, filling in and building up with masonry the weak spots in the Sphinx."
The authors prefer to date the oldest limestone facing blocks, which they consider the first repair campaign, to the New Kingdom. "Phase I filled in the body after the surface formed from Member II bedrock had eroded drastically into a profile of deep recesses and rounded protrusions." The Old Kingdom appearance of these earliest facing stones, which resemble the blocks lining the Khafra causeway, suggests to Lehner that the New Kingdom restorers used causeway blocks for the restoration (p. 41).

Zahi Hawass and Mark Lehner Remnants of a Lost Civilization? Archaeology, Vol. 47, No. 5 (September/October 1994), pp. 44-47.
In another article to appear in the same issue of Archaeology, Hawass and Lehner restate the arguments by Gauri against the West-Schoch hypothesis. They also assert that Debehen's tomb belongs to a different layer of bedrock than the Sphinx main body. Finally, they observe that the back wall of the Sphinx enclosure is as eroded as the side walls, which is inconsistent with Schoch's argument that the rear of the enclosure was excavated much later than the front and sides.
Mark Lehner, "Notes and Photographs on the West-Schoch Sphinx Hypothesis," KMT: A Modern Journal of Ancient Egypt, Vol. 5, No. 3 (Fall 1994), pp. 40-48.
In this follow-up article, Lehner argues that the core blocks and facing stone of the Khafra and Sphinx Temples were built concurrently, as was the custom in Old Kingdom architecture. Core blocks behind intact facing stone in the Khafra Valley temple appeared to Lehner to have been protected from erosion. The outward-sloping walls of the Sphinx enclosure cited by Schoch as evidence of erosion were in fact built with a slope, as less weathered portions at the southeastern end show. Lehner notes that the geologists referenced in Schoch's own sources are very cautious about dating rock.
Zahi Hawass, The Secrets of the Sphinx: Restoration Past and Present (American University in Cairo Press, 1998), 34 pp.
In his 1998 booklet, Dr. Hawass argues that the Sphinx was carved in the rough and that the oldest facing stones of better-quality Tura limestone were applied as part of the original monument and not as later repairs. The underlying rock was not suitable for fine modeling and was simply cut in a rough way and then faced with stone blocks. Only the head, neck, and beard were cut from the original rock and left exposed.
"At the very base of the Sphinx," Dr. Hawass writes in his 1998 booklet (p. 10), "where we have been able to examine the mother rock closely, there are extremely large Tura-quality limestone blocks that cover the bedrock and form a casing. Since the hard part of the mother rock could not have weathered after the casing was applied, its rough surface underneath these large blocks must have been left as we see it by the original Sphinx builders."
It is not clear that Hawass intended the remarks above to prove a point about the age of the Sphinx. The survival of unweathered stone behind intact core blocks argues for an Old Kingdom origin of the entire monument, though, if the facing stones can be dated to the Old Kingdom and if the protected surfaces belong to a quality of rock that has weathered with exposure over the last 4500 years.
Proceeding with the argument of Dr. Hawass, weathering of the Sphinx since Old Kingdom times must then have occurred where the original facing stones fell away, as many of them did. Hawass rejects the idea that the facing stones were repair blocks stripped from the Khafra causeway, although he allows that New Kingdom restorers may have commissioned some new blocks cut in the Old Kingdom style (p. 26).
In the remainder of his discussion, Dr. Hawass reiterates the arguments against an earlier Sphinx made in his 1994 articles with Lehner. On his website, Dr. Hawass describes the restoration history of the Sphinx, although he does not mention any unweathered portions.

Redating the Sphinx: Responses to Critics

John Anthony West and Robert Schoch have responded to criticism, mainly in the form of letters to the editors of various magazines. Schoch has also written a short book, Voices of the Rocks (Harmony Books, 1999), that briefly recapitulates his arguments.

Principally, West and Schoch maintain that their critics have identified alternative weathering mechanisms that are really complementary processes that do not explain key features, such as the vertical weathering profiles and where they are.

John Anthony West, Letter to the Editor, KMT: A Modern Journal of Ancient Egypt, Vol. 7, No. 1 (Spring 1996), pp. 3-6.
West notes that the BBC Timewatch series, for a documentary broadcast in the United Kingdom on November 27, 1994, had an Egyptian geologist check the claim that Debehen's tomb is not the same rock as the Sphinx. The geologist observed that the tomb belongs to the same layer as the Sphinx body. The weathering of the Sphinx and Debehen's tomb should have been similar if they dated from the same time.
Robert M. Schoch, Letter to the Editor, KMT: A Modern Journal of Ancient Egypt,
Vol. 5, No. 2 (Summer 1994), pp. 1-2. Response to Harrell.

Robert M. Schoch, Letter to the Editor, KMT: A Modern Journal of Ancient Egypt,
Vol. 5, No. 3 (Fall 1994), pp. 4-5. Response to Harrell.

Robert M. Schoch, Letter to the Editor, Archaeology,
Vol.48, No. 1 (January-February 1995), pp. 10-12. Response to Hawass and Lehner.

Robert M. Schoch, Voices of the Rocks: A Scientist Looks at Catastrophes & Ancient Civilizations,
(Harmony Books, New York, 1999) with Robert Aquinas McNally.
Schoch's letters and book may be summarized in relation to one general problem and several particular ones related to his rainfall hypothesis:
The general problem is that we do not know the weathering rate of rock over time and this uncertainty makes estimating the age of weathered rock unavoidably speculative. Schoch contends, however, that different types of weathering can be identified on the Sphinx complex and correlated with periods of climate that can be dated approximately.
The particular problems involve four issues of geology and four of archaeology. The geological issues are:
Wet sand. The Sphinx has been buried in desert sand for much of its known existence and floodwater reached it on occasion. Most scholars believe, however, that Nile flood levels have not changed significantly since Old Kingdom times and that flood damage was only occasional. Schoch points out that if Nile floodwater was severe enough to weather the Sphinx directly, it would have undercut the monument, which does not show undercutting. Until recent decades, the water table was too far down to have wetted the sand from below.
Rainfall and some floodwater could still have wetted the sand. The Member II body of the Sphinx becomes more durable as it rises. According to Harrell, the less durable lower strata therefore should have weathered more severely as a result of wet sand. Schoch notes that damage was greater to the more durable upper strata of the main body. This is more consistent with the physical action of rainfall than with the chemical effects Harrell and Gauri describe.
Atmospheric condensation. Schoch acknowledges that all three types of weathering (rain, wind, and exfoliation by morning dew) are present on the Sphinx and its walls. But he maintains that atmospheric condensation is the least aggressive of the three types and is not adequate to explain the depth of weathering, particularly on the walls.
Faults and fissures. Schoch points out that there is a difference between natural faulting in the bedrock and the opening up of these faults to create fissures. Faulting in the rock undoubtedly dates back millions of years. But he maintains that neither the rising and falling of water tables, nor any other sub-surface process taking millions of years, normally produces the kind of profile visible on the walls. This kind of profile is in his view normally associated with weathering by the physical action of surface water.
Different gradients. In addition to the differences between layers, gradient differences within layers of rock affect weathering profiles. Although the horizontal rolls on the Sphinx reflect the varying durability of the sub-layers in the main body, the tendency of these sub-layers to get more durable as they rise should have produced a less weathered overall profile as the monument and walls rise. Instead, Schoch notes, the walls and body show a more deeply weathered profile in the upper part of the Member II limestone bed.
The archaeological issues are:
The sides and back. The 1993 "Mystery of the Sphinx" program implied that the slope of the enclosure walls was the result of erosion. This was an error in the program and in his published work Schoch did not maintain that this was the case. But he notes that the deeper fissuring and rounding of the rock toward the western end and not the eastern end actually strengthen the case for weathering as a result of rainwater runoff from the plateau. Responding to the apparent inconsistency between his two-stage dating and the eroded back wall of the Sphinx enclosure, Schoch agrees that the back and side walls are the same age. He argues instead that the back floor was not reduced to the level of the front until later. The platform at the foot of the western enclosure wall may be evidence of this.
The problem of the facing stones. Schoch has not responded to the argument that the facing stones on the Sphinx body were part of the original Sphinx. He accepts an Old Kingdom date for them and assumes that they were repairs to a monument that had been carved much earlier. He maintains that some of the limestone core blocks in the two temples show erosion behind their facing stone.
Integration of the Sphinx and Khafra Complex. The resemblance between the Sphinx Temple court and the Khafra Mortuary Temple court, and the other arguments for treating the Sphinx as part of the Khafra complex, do not in Schoch's view preclude the possibility of two stages in the construction of the Sphinx, the Sphinx temples, and also the Khafra Mortuary Temple. The eastern half of the Khafra Mortuary temple shows the kind of megalithic core block architecture of the Valley temple.
Who Built the Sphinx? All of Schoch's critics ask where was the civilization that built a much earlier Sphinx. As worded, this question could be understood in two ways. The first is to assume that only an advanced civilization can build large monuments. Such a civilization is clearly absent from prehistoric Egypt. But the people of Neolithic Britain built Stonehenge without such a civilization. The second (and more restricted) way to ask the question is to ask whether there is any evidence of a Stonehenge-like culture in the vicinity of Giza.
In the mid-1990s, archaeologists published evidence of a Neolithic culture at Nabta Playa, a site in what is now the southern part of the Egyptian Western Desert. Megalithic remains at Nabta Playa show that people in Egypt were building stone structures prior to 5000 BCE.[1] These remains bring a cultural context much closer to prehistoric Giza than the examples of Jericho and Catal Huyuk that Schoch had cited as context in his earlier publications.
Colin D. Reader, "Khufu Knew the Sphinx," (unpublished, dated October 1997, revised August 1999).

C. D. Reader, "A Geomorphological Study of the Giza Necropolis, With Implications for the Development of the Site," Archaeometry, Vol. 43, No. 1 (2000), pp. 149-159.

A.J. Shortland, C.J. Doherty, "Comments on 'A Geomorphological Study of the Giza Necropolis, With Implications for the Development of the Site'," Archaeometry, Vol. 43, No. 1 (2000), pp. 159-161.

T.A.H. Wilkinson, "Comments on C.D. Reader, 'A Geomorphological Study of the Giza Necropolis, With Implications for the Development of the Site'," Archaeometry, Vol. 43, No. 1 (2000), pp. 161-163.

C. D. Reader, "A Response to Comments on 'A Geomorphological Study of the Giza Necropolis, With Implications for the Development of the Site," Archaeometry, Vol. 43, No. 1 (2000), pp. 163-165.
Colin Reader, a geological engineer, investigated the geological evidence for an older Sphinx, principally by comparing the rock on the Sphinx directly with the rock of the enclosure walls. This rock inside the enclosure was well-documented by K. Lal Gauri as part of Lehner's 1979 survey of the Sphinx and is not subject to the questions surrounding comparisons with rock outside the enclosure.
Reader found that the rock strata on the Sphinx did not show the same weathering as the continuation of these strata on the more deeply eroded enclosure walls opposite them. The south wall shows increasingly severe erosion as it moves from east to west and the western wall displays the same deep erosion as the western end of the south wall. The Sphinx does not show this lateral change. If wind or chemical effects were the only cause of weathering to the monument and the walls, they should have affected the same rock in the same way on both the Sphinx and the walls.
The plateau just west of the Sphinx was a catchment for rainfall and its runoff prior to the building of the three great Pyramids in the 2500s and 2400s BCE. The excavation of the plateau for stone to build the Khufu Pyramid drastically reduced this catchment area. Reader argues that the excavation of the Sphinx enclosure must have preceded the excavation of the plateau to build the Khufu Pyramid in order for the enclosure walls to have eroded as they did from plateau runoff. Unlike Schoch, he prefers to date the Sphinx only three to six centuries before Khufu on the grounds that building in stone did not appear to go back in Egypt any further. In his view the Sphinx may have been a sacred site connected to an early solar cult.
Reader also observes that the north terrace wall opposite the north wall of the Sphinx Temple shows much less erosion than the north terrace wall opposite the Sphinx. The Sphinx Temple is known to have been constructed in two stages, the second involving an enlargement of its north and south walls. The north terrace was cut back to make room for the extension of the north temple wall and the terrace face opposite this wall is the part that shows little weathering. Reader argues that the first stage of the temple's construction may have been contemporary with an earlier Sphinx.
Three commentators replied to the publication of Reader's views in the January 2001 issue of Archaeometry. A.J. Shortland and C.J. Doherty question whether the western exposures of the Sphinx enclosure might have weathered more severely from thermal effects combined with chemical effects, since they are exposed to the rising sun every morning. The two commentators also ask (1) if there is similar vertical fissuring in other monuments or natural stone exposures subject to flash floods, and (2) if vertical fissuring is absent from later buildings that were also exposed to runoff. T.A.H. Wilkinson notes the paucity of pre-4th dynasty remains at Giza and the evidence against sun worship predating that dynasty.
In reply to these commentators, Reader observes that the chest on the Sphinx, made of the same stone as the western wall and facing in the same direction (and thus subject to the same thermal effects), does not show the deep vertical fissuring of the western enclosure wall. He also notes that tombs cut into the other side of the western wall during the 26th dynasty still show tool marks that should have disappeared if chemical weathering alone was responsible for the condition of the walls. He acknowledges the need for further comparative work but notes that Shortland and Doherty do not contest the evidence of the north terrace wall. Reader defends his argument for an early solar cult by citing the work of Karl Kromer, who found pre-4th dynasty remains.
 http://www.world-mysteries.com/mpl_3.htm

The Mystery of the Stones at Baalbek


The Mystery of the Stones at Baalbek (1)


Copyright Notice
This article is  the copyright of Eridu Books 2004. The images and diagrams are the copyright of Alan Alford or of other photographers, where indicated. Eridu Books welcomes the reproduction and dissemination of these pages, in original, unaltered form, for non-commercial purposes, but permission must be sought for any other usage, other than 'fair dealing' quotations.
Reprinted with permission

Part 1 of 5
The mysterious ruins of Baalbek. One of the great Power Places of the ancient world. For thousands of years its secrets have been shrouded in darkness, or bathed in an artificial light by those who would offer us a simplistic solution to its mysteries.
You are looking at the columns of the Temple of Jupiter - the grandest temple that the Romans ever built - one of the wonders of the ancient world. To this remote location in the Bekaa Valley of modern-day Lebanon, Roman emperors would travel 1,500 miles to make offerings to their gods and receive oracles on the destiny of their empire.
Much has changed in two thousand years. The magnificent temple is ruined, its gods abandoned, its secrets forgotten. Even the ruins have been neglected, wiped off the tourist map by twenty years of terrorism, war, hostages and hijackings.
Some archaeologists might well wish that Baalbek had been buried forever. For it is here that we find the largest dressed stone block in the world - the infamous Stone of the South, lying in its quarry just ten minutes walk from the temple acropolis. This huge stone weighs approximately 1,000 tons - almost as heavy as three Boeing 747 aircraft.[1]
Back at the temple acropolis, three stones not much smaller than this, weighing 800 tons each, have been miraculously fitted together in a wall, forming a Trilithon at a height of 20 feet.
I personally seized the opportunity to visit Baalbek in May 1995, shortly after tourists began returning to the bombed-out ruins of Lebanon. This e-tour will mirror my real life tour, which climaxed at the mighty Trilithon and the Stone of the South. In due course I will attempt to provide some personal insights into the enormous scale of this construction and the motivations of its builders.
First, however, I offer you the rare opportunity to see the entire Baalbek, of which the mighty Trilithon is only a part. As we progress through our e-tour, reflect on the glorious splendour that was once here and ask yourself "why here?". What was it that caused the original sanctity of this remote site? What was it that prompted the Romans to quarry, move and erect literally millions of stone blocks?
We begin at the main acropolis by considering first this bird's eye view of how it might have looked in Roman times, before its fortification by the Muslims. A monumental staircase leads up to the entrance or Propylaea, beyond which we find the Hexagonal Courtyard, the Great Courtyard, the Temple of Jupiter, the smaller Temple of Bacchus, and the much smaller Temple of Venus. Note the unusual fact that the acropolis of Baalbek is not aligned to the cardinal points of the compass.
The Temple of Venus can be dealt with briefly. Situated in what is now a field of rubble, its former elegance can no longer be seen, and only four of its ten columns remain standing. Being outside the fortified acropolis, this temple was swallowed up by an Arab town, to such an extent that the German Archaeological Mission had to remove five metres of debris to clear the first step of the monumental staircase at its entrance. The remains of the temple were dismantled and re-erected in the early 1930s, but they now threaten to collapse again.
We now enter the main acropolis via the Propylaea - what we see here is a reconstruction by the German archaeological expedition in 1905. The original staircase was destroyed by the Arabs to fortify the site and they dismantled the 12 granite columns which they re-used for defensive purposes. Only the bases of those columns survived, and they bore inscriptions identifying their Roman origin.
Having come through the entrance, we find ourselves in the middle of the impressive Hexagonal Courtyard, which is a unique feature for a temple of this period (it may well have been a concession by the Romans to local customs and traditions). Roman inscriptions are found here in abundance, but the purpose of the Hexagonal Courtyard remains unknown.
We now proceed into the Great Courtyard...


 We now proceed into the Great Courtyard - an immense square court, thought to have housed the statues of the pantheon of the twelve Great Gods. The photograph shows the remains of the Altar of Sacrifice. Although constructed by the Romans, it apparently supersedes a much earlier altar which was dedicated to the god Baal-Hadad, and is built over a natural crevice some 150 feet deep, at the bottom of which is a small rock-cut altar. There are few tourists around to provide a comparative scale of measurement, but such a person would in fact be no taller than the base of this altar.
Behind the Altar we can see the foundation of the Great Tower, which was an even more impressive structure, 50 feet high, with two independent flights of stairs. Both the Altar and Tower were destroyed by the Christians who erected a basilica here. In 1934-5 it was decided to tear down the basilica which was hindering archaeological excavation. Only then were the ancient Altar and Tower rediscovered. The Great Tower which once stood here was not a Roman tradition, but probably a concession to local traditions of worship in 'high places'. Note the excavations to the left of this picture. The dig uncovered middle bronze age houses, from the 2nd millennium BC and evidence of earlier occupation back to 2900 BC.[2]
On the other side of the Great Courtyard lies a truly monumental staircase leading up to a raised platform on which the Temple of Jupiter once stood. In this picture we can see the bases of the now fallen columns - the bases alone are 8 feet high. If we wished, we could climb these stairs and stand in awe beneath the six remaining columns, which rise to a spectacular height of 66 feet. But the best view of these columns comes not from this angle but from the nearby Temple of Bacchus.
This is the Temple of Bacchus, and it is undoubtedly the best preserved Roman temple in the world. Its 46 columns included 15 on each side and 8 on the ends, most of which are intact in this picture, although the eastern end here is clearly missing a few.
 
The southern side of the Temple of Bacchus, in contrast, has suffered badly. Here I am setting the scale of the infamous leaning column - a tourist favourite - which was probably felled by the earthquake of 1759. This massive column, formed of three parts, stands 60 feet high including the base and the capital. Incidentally, the drums are held together by dowels made of bronze, embedded in lead.
 
 
Let's now enter the Temple of Bacchus...
We now climb 33 steps to the Temple of Bacchus and enter a large court with an imposing doorway 40 feet high. Note the slipped keystone which was once propped up by a crude tower of bricks, but has now been properly renovated.
Proceeding through the doorway, we are surrounded by further columns and niches which once housed the pantheon of the gods. At the far end, nothing remains of the beautiful shrine which once stood against this far wall and housed the statue of the god Bacchus.
The main temple of Baalbek, however, was reserved for the chief deity himself - Iovi Optimo Maximo Heliopolitano 'Jupiter the Most High, the Most Great'. This is the view of what remains from the staircase we saw earlier. The destruction of this magnificent temple is thought to have begun with the earthquake of 526 or 551. Curiously, the chronicler Michael the Syrian records the popular belief that the temple was destroyed by fire from the sky.[3] Historians assume this is a misunderstanding and think that the fire was a consequence of the earthquake.
Following that 6th century earthquake and fire, Byzantine and Arab occupants ravaged the ruins of the Temple of Jupiter, using its stone as building material elsewhere on the acropolis. Further earthquakes, such as in 1158, 1203, and 1664  increased the devastation.
The last really big quake in 1759 brought down three columns, leaving only the six that we see here. The Temple was so utterly destroyed that it has never been possible to accurately reconstruct its ground plan, and little can be gleaned from visiting the site.
We do know that 58 columns once graced this Temple, 19 down each side and 10 at each end, enclosing an area twice as large as the Temple of Bacchus. Each column soared to a height of 66 feet, built on a platform which was raised 26 feet higher than the surrounding buildings.
Here was a building which stretched to the limit the ingenuity of man, in which ancient man literally reached out to the heavens and communicated to the gods. To imagine the pride felt by those who took part in this magnificent achievement, even down to the humblest workman, is to recognise a greatness that is rarely found in modern society.
However, as magnificent as the Temple of Jupiter certainly was, it stood on a terrace of colossal stones which was, and still is, even more impressive. If you look carefully at the photograph above you will see me, 6 foot one inch in height, standing on a block which measures approximately 33 by 14 by 10 feet, and weighing an incredible 300 tons. There are nine such blocks visible in this wall.
Now, it is time to experience the climax of Baalbek...

The Climax of Baalbek

It is now time to experience the climax of Baalbek, and this requires retracing our steps to the entrance, and skirting around the outer walls of the acropolis. On the way we see the stark contrast between more 300-ton megaliths and the much smaller fortifications of the Arabs.
At last we turn a corner and see, in the western (strictly south-western) wall of the platform, the great Trilithon.
The Trilithon is the lighter-coloured course in the wall and comprises three granite stones beautifully fitted together at a height of 20 feet above present ground level.
The angle of this photograph - compromised by the fence and woods which now obstruct the view of this wall, hardly does justice to the huge size of these blocks, which are 14 feet 6 inches in height, 12 feet thick, and a staggering 64 feet in length (on average).
These three stones are slightly smaller than the Stone of the South, which we saw earlier, and are estimated to weigh approximately 800 tons each.
Now feast your eyes once again on the awesome 1000-ton Stone of the South, which weighs approximately as much as three Boeing 747 aircraft:
 
Give your imagination a little exercise by mentally trimming this 1,000 ton megalith into an 800-ton block - that is four fifths of this size - and now, keeping that image in your mind, take another look at three such stones in the Trilithon. Can it be true? Are these stones really there? Yes, sir. I have seen it with my own eyes.
The locals call this the 'Miracle of the Three Stones'. I, on the other hand, prefer to call it 'the Archaeologist's Nightmare', for our minds immediately begin to reel with questions - who built this megalithic wall, when did they build it, how did they build it, and, more importantly, why did they build it in the way that they did?
This is one of the most amazing sights in the ancient world - the three 800-ton blocks of the mighty Trilithon (the lighter-coloured course), situated in a wall of the great acropolis of Baalbek in Lebanon.
Michel Alouf, the former curator of the ruins, once wrote of the Trilithon:
    '... in spite of their immense size, they [the Trilithon stones] are so accurately placed in position and so carefully joined, that it is almost impossible to insert a needle between them. No description will give an exact idea of the bewildering and stupefying effect of these tremendous blocks on the spectator'. [4]

Analysis of the Baalbek Platform

Observe in the above photograph the impressive platform of stones which underpins the Trilithon. Each of these stone blocks (the fifth visible layer of the wall) measures 33 by 14 by 10 feet and thus, according to my calculations, weighs approximately 300 tons. Note the outward tapering of these blocks. In my view this was once the platform's uppermost layer, with the Trilithon being a later addition.
Observe, too, the supporting layers beneath the 300-ton blocks - at least four layers of carefully constructed smaller stones.
Now look closely at the adjoining wall, i.e. the south-eastern wall of the acropolis.
 
Here we see another row of 300-ton megaliths, measuring 33 feet in length and 14 feet in height. This layer of megaliths is quite ill-matched; some blocks are tapered, others are not, and the cut of the tapering does not match, even on adjacent blocks. It is as if this south-eastern side of the platform (perhaps the uppermost layer of the original platform) has at one time sustained serious damage and been subsequently reconstructed.
The significant fact, which is not readily apparent without a visit to Baalbek, is this: the rows of 300-ton blocks in the adjoining south-western and south-eastern walls are at exactly the same level - in other words, the Trilithon layer rises above any of the other megalithic stones and does not form part of a level terrace. This fact has led me to a conclusion which is shared by some conventional researchers - that the Baalbek platform as it stands is incomplete, perhaps being part of an unfinished defensive wall.
Such a conclusion is supported by the Stone of the South, which is still attached to the rocky floor of the quarry. Whilst it is possible that the block was considered faulty, it is perhaps more likely that the Stone of the South was abandoned when the project as a whole was suddenly cancelled.
 

How was Baalbek built?

This view from the quarry shows that the distance to the Baalbek acropolis is not huge - no more than a third of a mile. Nor is the elevation very different between the two points. Although we do not know the topography of the site at the time the wall was constructed, it does seem feasible that the stones might have been dragged up a ramp to the position where they now lie. Theoretically, then, the lifting of the stones would have been limited only to positional adjustments.
Nevertheless, when we consider the size and weight of the Baalbek stones and the fact that the route to the acropolis is not entirely flat, transportation via non-technological means would have presented the builders with formidable problems.
So, how was the job done? How were three 800-ton stones cut, moved and erected in the Baalbek acropolis?
This is a question which must be tackled with great caution, for it is not at all clear who the builders of Baalbek actually were.
If you ask an archaeologist, he will tell you that the Romans built the temples of Baalbek and he or she might well point out that there are work gang inscriptions which date the construction of the Temple of Jupiter to the 1st century ad, i.e. to the Roman era. The archaeologist might also point out to you that the Romans did know how to move and lift heavy stones; after all, we know that they transported a large number of multi-hundred ton obelisks to Rome from Egypt, and that was no mean feat two thousand years ago.
The archaeologist will thus suppose that the platform of Baalbek, on which the Roman temples stand, must also belong to the Roman era. And he or she will thus explain the construction of the Trilithon by reciting what is known about Roman construction techniques. Thus the explanation involves the erection of the Trilithon by push-and-shove methods, with the Romans probably using nothing more than wooden rollers, ropes, wooden lifting frames and human muscle power.
Archaeologists typically overlook the fact that experiments with stones much lighter than 800 tons have crushed the wooden rollers. And even if such a method was feasible, it would, by one estimate, have required the combined pulling power of 40,000 men to move the Stone of the South.[5] Incredible indeed.
Is there any evidence that the Romans built the platform of Baalbek as well as the temples upon it? One text book assures us that: 'Part of a [Roman] drum or column similar to those found in the Temple of Jupiter was used as a block in the foundation under the Trilithon'.[6] But where is the evidence for this Roman drum? I myself have been to Baalbek and I can show you dozens of photographs of the foundation walls, but I cannot show you the alleged Roman drum. It seems to have vanished into thin air.
A good counter argument lies in the fact that the Baalbek platform is out of all proportion to the temples which stand upon it, being thus suggestive of two different phases in construction.[7] This same observation was made by Professor Daniel Krencker of the German archaeological mission, although it led him to the conclusion that the Temple of Jupiter was originally planned on the same colossal scale as these foundations.[8] In other words, Krencker believed that the Roman builders must have had a change of mind. (How many times have we heard this before? Call me a sceptic but it seems to me that 'a change of mind' is archaeologist-speak for anything which the archaeologist cannot comprehend!)
In the absence of any proof as to who built the platform of Baalbek, it becomes very difficult to draw any firm conclusions as to the construction methods used. What we can do, however, is demonstrate the scale of the job by explaining how the Trilithon would be erected using today's technology.

The Baldwins Challenge

In 1996, I posed the problem of the Baalbek stones to Baldwins Industrial Services - one of the leading crane hire companies in Britain. I asked them how they might attempt to move the 1,000-ton Stone of the South and place it at the same height as the Trilithon.
Although it is sometimes claimed that modern cranes cannot lift stones as heavy as 800-tons,[9] this is actually incorrect. Bob MacGrain, the Technical Director of Baldwins, confirmed that there were several mobile cranes that could lift and place the 1,000-ton stone on a support structure 20 feet high. Baldwins themselves operate a 1,200 ton capacity Gottwald AK912 strut jib crane,[10] whilst other companies operate cranes which can lift 2,000 tons. Unfortunately, however, these cranes do not have the capability to actually move whilst carrying such heavy loads.
How, then, might we transport the Stone of the South to the Baalbek acropolis?
Baldwins suggested two possibilities. The first would use a 1,000-ton capacity crane fitted with crawler tracks. The disadvantage of this method would be the need for massive ground preparation works - to provide a solid, level roadway for the crane to move.
The alternative to a crane would be a series of modular hydraulic trailers, combined to create a massive load carrying platform. These trailers raise and lower their loads using hydraulic cylinders built into their suspension. The initial lift at the quarry would be achieved by the use of a cut-out section beneath the stone, which the trailer would drive into. The final positioning in the wall, at a height of 20 feet, would be achieved by using an earth ramp.
This is all very interesting, and gives us some feel for the scale of the engineering challenge, but there is, of course, one slight problem with the Baldwins scenario, namely that none of this twentieth century technology was supposedly available when Baalbek was built.
 

The Puzzle of Baalbek

Here is a fascinating question. Why did the builders of the Trilithon struggle with 800-ton weights when it would have been far easier to split the giant monoliths into smaller blocks? Why not use 4 x 200-ton stones rather than a cumbersome 800-tonner?
According to my engineer-friends, it was very risky to use 800-ton blocks in the way seen at Baalbek. This is because any vertical defects running lengthwise through the stone might have led to a critical structural weakness. In contrast, a similar fault in a smaller block would not have affected the overall construction. Either the builder was incompetent and just plain lucky or he was competent and supremely confident in his materials.
Whichever way we look at it, however, it makes no sense to imagine tens of thousands of men struggling to move and erect three of these monstrous 800-ton stones.
So the question is "why did they not split the stones?".
One possible answer to this puzzle is that the builders moved the stones in huge sizes simply because they could. In other words, it might have been the case that, with a high technology available, the builders found it more expeditious to cut and move one large stone rather than several smaller ones. This presupposes the kind of high-tech 'lost civilisation' which has been mooted by writers such as Bauval, Hancock and West, or the more plausible 'lost race' as advocated by myself in 'The Phoenix Solution' (1998).[11]
 

The Megalomaniac Theory

What possible motive could there have been for the Romans to drag three shapeless stone blocks, weighing 800-tons each, and place them into the wall of a structure in a remote region of the Roman empire?
Here is a possible scenario. Let us imagine that the distant Roman empire wished to stamp its authority on one of the most sacred sites of the Near East. Let's say an instruction was issued from the central bureaucracy to erect the world's largest temple. An over-zealous Roman governor at Baalbek then conceived a temple plan on an unimaginable scale and ordered the local people to comply. Thousands of workers were drafted in from all around the Bekaa Valley. Then, as the platform neared completion, even bigger stones were dragged to the site. The workers became exhausted, time and resources became a problem, and the megalithic layer was abandoned. A new official then arrived and blew the whistle, stopped the brutality and brought a sense of realism to the enterprise; the order was thus given for a massive down-grading of the yet-to-be-built temples.
This is a purely hypothetical and imaginative scenario, and there is a problem with it, because there is no historical evidence for it. Where, for example, is the record of a megalomaniac Roman governor at Baalbek? Surely such a man would have been notorious for one of the greatest acts of folly ever witnessed. And yet we find no recollection of this mad dictator among the Romans and no recollection where we would most expect to find it - in the legends of the local people...

The Local Legends of Baalbek

Curiously, it would seem that not one Roman emperor ever claimed credit for the Baalbek temple complex or for the construction of its massive foundations.[12]
Similarly, we find no evidence for Roman construction among the local people. What we do find instead are legends which suggest that Baalbek was built by super-human powers in an epoch long before human civilisation began.
The Arabs believed that Baalbek once belonged to the legendary Nimrod, who ruled this area of Lebanon. According to an Arabic manuscript, Nimrod sent giants to rebuild Baalbek after the Flood. Another legend states that Nimrod rebelled against Yahweh and built the Tower of Babel here, in order to ascend to Heaven and attack his God. According to one version of this legend, Nimrod ascended to the top of the Tower but found himself as far from his objective (Heaven) as when he had begun; after the Tower collapsed, Nimrod attempted to scale the heavens in a carriage drawn by four strong birds, but the carriage, after wandering for a long time in space, eventually crashed on Mount Hermon, thus killing Nimrod. Earlier in this tale, Nimrod had been visited by Abraham, who came as a messenger of God to warn Nimrod of punishment for his sins. But Nimrod, vexed by these threats, had cast Abraham into a blazing furnace (from which the latter somehow emerged unscathed).[13]
The local Muslims believed that it was beyond the capability of humans to move the enormous stones of Baalbek. Instead of giants, however, they credited the work to demons or djinn. Muslim tradition states that Baalbek was once the home of Abraham, and later of Solomon. It is also suggested that the prophet Elijah was taken into Heaven from Baalbek - upon a steed of fire.[14]
Other legends associated Baalbek with the Biblical figure of Cain - the son of Adam - claiming that he built it as a refuge after his god Yahweh had cursed him. According to Estfan Doweihi, the Maronite Patriarch of Lebanon: 'Tradition states that the fortress of Baalbek... is the most ancient building in the world. Cain, the son of Adam, built it in the year 133 of the creation, during a fit of raving madness. He gave it the name of his son Enoch and peopled it with giants who were punished for their iniquities by the flood.'[15]
 

Modern Theories of Baalbek

Few modern writers have dared to tackle the enigma of Baalbek, perhaps because Lebanon was off-limits to tourists during the troubled decades at the close of the second millennium.
One writer to take an interest is Andrew Collins, whose articles suggest the possibility that Baalbek was some kind of astronomical observatory.[16]
The best known 'alternative' theory, however, is that of ancient astronaut writer Zecharia Sitchin, who asserted that Baalbek was a space centre, built by a visiting race of 'Anunnaki' gods as a launching pad for their space rockets.[17] An intriguing aspect of Sitchin's theory was the connection between Baalbek-Heliopolis - the City of the Sun - and the ancient legend of the Sun-god who used to park his chariot at Baalbek. This rather appealing theory is, however, sunk (in my mind at least) by the revelations in my book 'When The Gods Came Down' (April 2000). In this book I revealed that the Sun-god and the Anunnaki had nothing whatsoever to do with ancient astronauts.[18]
To close with an amusing anecdote, the prize for the most imaginative theory of Baalbek must undoubtedly be awarded to the English traveller, David Urquhart, who suggested that the builders of Baalbek had used mastodons - huge extinct elephant-like mammals - as mobile cranes to help them move the stones![19]
 

Conclusions

Why did successive Roman emperors travel thousands of miles to Baalbek to receive oracles? Why did the Romans build the grandest of all their temples so far away from Rome? What motivated them to ship red granite columns all the way from Aswan in Egypt to the port of Tripoli, and from there to Baalbek via Homs, a detour which, in order to circumnavigate the mountains, required a journey of 200 kilometres? This was certainly a most inconvenient place to erect the greatest Roman temple in the world, so why did it have to happen here, in the Bekaa Valley, of all places?
If we can answer this question, we can perhaps solve the mystery of Baalbek. As one authority on Baalbek commented, however, 'nowhere is it clearly stated to what cause the religious importance of this town is attributed'.[20]
Ultimately, one suspects that the answer to the sanctity of Baalbek lies in a decoding of its ancient religion, for it is religion which has been the driving force at Baalbek since time immemorial.
The sanctity of Baalbek in Roman times has already been mentioned and one's attention is drawn inevitably to the trinity of gods who were worshipped here: Venus, Bacchus and the mighty Jupiter. The latter - equivalent to the Greek god Zeus - embodied all the symbolism of the archetypal Storm God. The fifth century writer Macrobius described the statue of Jupiter as follows:
    'The statue of the god is of gold, representing a person without a beard, who holds in his right hand a whip, charioteer-like, and in his left a thunderbolt with ears of corn.' [21]
What was the meaning of this Storm-God with thunderbolt? To modern scholars, Jupiter was a god of thunder and lightning and nothing but thunder and lightning. If modern scholars are to be believed, our quest for religious meaning at Baalbek culminates anti-climactically in the primitive worship of mundane weather-gods.
However, readers of my book 'When The Gods Came Down' will recognise in the statue described by Macrobius a crucial esoteric meaning in the connection between the thunderbolt and the 'ears of corn'.
Furthermore, it should be noted that the Roman gods are only part of the answer to the sanctity of Baalbek, for the town was in fact named after Baal, the Storm-God of the Canaanites/Phoenicians. And the legends of the god Baal provide numerous fascinating parallels to the gods of the ancient Mesopotamian exploded planet cults (as decoded in my books). Indeed, my own private research suggests that the Canaanite/Phoenician religion could itself be described as an exploded planet cult.
Inevitably, then, we must ask whether the importance of Baalbek might have resulted from a celestial event - perhaps the impact of a meteorite - during the pre-literate era. Might a meteorite be the key to the importance of Baalbek - the northern 'Heliopolis' - just as the meteorite called 'the Benben Stone' was the key to the importance of Annu - the southern 'Heliopolis' in ancient Egypt?
And what about those gigantic stones in the Trilithon? Were they constructed deliberately, perhaps to evoke the idea of the meteorites - the giant seeds of life - lying embedded in the foundations (or Womb) of Mother Earth? Or were they simply the remains of an unfinished defensive wall?
Perhaps we will never know the answer to this question or to the question of how the stones of the Trilithon were moved. The problem is that everyone sees at Baalbek what they want to see, based on their own preconceptions and their own paradigm. Perhaps it will always be so.
One final thought to close. If the mysterious stones of Baalbek are impelling us to exercise our minds, then perhaps the ancient builders are partly achieving their objectives. But in order for us to pass, as initiates, the Test of the Trilithon, it is necessary for us to do something more than merely exercise our minds. It is necessary first to challenge everything that we have ever been taught about the meaning and origins of religion...
 

Footnotes
  • [1] A Boeing 747 aircraft weighs in at 337,840 kg.
  • [2] N. Jidejian, 'Baalbek Heliopolis, City of the Sun', Dar El-Machreq, Beirut, 1975, p. 15.
  • [3] N. Jidejian, 'Baalbek Heliopolis, City of the Sun', op. cit., p. 67.
  • [4] M. Alouf, 'History of Baalbek', 25th edition, p. 92.
  • [5] Estimate by Monsieur F. Caignart de Saulcy, cited in M. Alouf, op. cit., p. 101.
  • [6] N. Jidejian, 'Baalbek Heliopolis, City of the Sun', op. cit., p. 24.
  • [7] This factor persuaded both the French scholar Louis Felicien de Saulcy and the French archaeologist Ernest Renan that the platform walls were pre-Roman.
  • [8] Professor Daniel Krencker, German Archaeological Mission, cited in Alouf, op. cit., p. 80.
  • [9] G. Hancock, 'Fingerprints of the Gods', Mandarin, 1995, chapter 39, p. 362. Also Z. Sitchin, 'The Stairway to Heaven', Avon Books, 1980, chapter IX, p. 179.
  • [10] The Gottwald AK912 crane uses a 10.7-metre square outrigger base, a 35 metre maxiboom, a 43 metre maximast, a 117-ton upper counterweight and a 400-ton maxi-counterweight.
  • [11] A.F. Alford, 'The Phoenix Solution', Hodder & Stoughton, 1998.
  • [12] That is to say that there is no contemporary Roman inscription. There is, however, a 7th century manuscript ('Chronographia') in which John Malalas of Antioch credits the Temple of Jupiter to the Roman emperor Antonius the Pius. See M. Alouf, op. cit., p. 43.
  • [13] M. Alouf, op. cit., pp. 26-28.
  • [14] N. Jidejian, 'Baalbek Heliopolis, City of the Sun', op. cit., p. 7. Also M. Alouf, op. cit., pp. 26-28.
  • [15] M. Alouf, op. cit., p. 26.
  • [16] A. Collins 'Baalebk: Lebanon's Sacred Fortress' in New Dawn Issue Nos. 43 & 44 (1997).
  • [17] Z. Sitchin, 'The Stairway to Heaven', op. cit., chapters IX, XII.
  • [18] A.F. Alford, 'When The Gods Came Down', Hodder & Stoughton, 2000.
  • [19] D. Urquhart, The Lebanon Diary, cited in M. Alouf, op. cit., p. 26.
  • [20]M. Alouf, op. cit., p. 32.
  • [21] N. Jidejian, 'Baalbek Heliopolis, City of the Sun', op. cit., p. 17. Also M. Alouf, op. cit., pp. 35-36.

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